I first viewed his paintings at The Addison Gallery in Orleans, MA. Throngs of people weaved in and out at the gallery's reception for local artists. What drew me to his collection were his representational or figurative paintings: this artist knows draftsmanship, and how to use color, light and shadow to illuminate his subjects. Influences? A touch of Hopper, a smattering of Millet or Vermeer, and photo-realism, I surmise, yet very much his own.
Schulenburg's "Waterfront" paintings reveal a way of life, ebbing away with the tide. I can't help feel wonder and pathos when studying his work. In this series, many figures have their backs to the viewer or are looking down, focusing on the task-at-hand or regaining their strength. The artist recognizes that commercial fishing whittles away at a man or woman's body, psyche--a dangerous profession coupled with grueling hours. His figures demonstrate a fierce determination, despite the odds against them of catching a bounty of fish, making a living wage. And, Schulenburg has etched the struggle into his subjects' eyes. Young and old, these fishermen carry a tradition on their backs along with the heaviness of wondering when the legacy behind them will cease to continue. The heaviness of being (nod to Milan Kundera), the desire to escape into darkness via alcohol, drugs, or worse suicide, lingers in the shadows.
However Schulenburg's compositions reveal contrast too: the brightness of the day or the light illuminating wearied faces. His younger men and women have muscled, sinewy bodies with smooth skin either tanned by the summer sun or paled by winter's overcast skies. Schulenburg asks us to admire their physique, some of the men wear their oilskins sans a shirt underneath, revealing their bare chests (not a luxury for the women). The painter's faces may divulge hardship, but the bodies illustrate an artist's reverence for human form.
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| Harbor Sentinel (Schulenburg Studio) |
Paul Schulenburg also chooses to paint his men and women in more active representations. Dressed in a long rubber apron and/or waders cleaning the deck of a boat with a hose or shoveling ice into the hold, these fishermen--their bodies laboring without apparent effort--peer downward with the same intensity as Schulenburg's other, more stationary figures.
That said, the painter doesn't ignore individual features. Below, a ginger-haired young man with cropped hair, wears pumpkin-orange oilskins held in place by black suspenders and contrasting cobalt-blue rubber gloves. His pristine outerwear provide evidence that he hasn't begun his arduous task. The clenched left hand sits on the bulkhead, where blood dried by the sun smears the surface, as if the younger fisherman is steeling himself to face the day.
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| Shadow Contemplation (The Addison Gallery/Paul Schulenburg) |
For info about the artist/his work, go to Paul Schulenburg's website: http://www.schulenburgstudio.com/ or
The Addison Gallery, http://www.addisonart.com/
Read my Shadowwater books for more on commercial fishing and Cape Cod life: www.shadowwater.net


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